Four and Twenty

January 6, 2011 in Reflections

When she goes down to the parking lot to smoke a cigarette, a huge black bumblebee comes to hover over her lidless coffee cup, then veers straight at her face and she steps back fast out of its way. It’s flying in frantic circles, and its wingspan seems larger than normal. It lacks that pudgy baby look of the usual big black bumblebee, so much so that she begins to think maybe it isn’t a bee at all, but an impossibly tiny hummingbird, or maybe an even more impossibly tiny blackbird.

This makes her recall the four thousand blackbirds that fell from the sky just a couple of days ago, and how they seem to fit so perfectly into the poem from her childhood—maybe they’ve had it wrong all this time… not baked in a pie, but falling from the sky? And why must it be a matter of right or wrong? Why not both? Well, maybe because… well, doesn’t it sometimes seem like there is only one story and everything that happens now might be called a retelling?

She brings the coffee to her mouth and takes a swallow, thinking about one summer day at the old movie theater when she was ten. The theater was on a hill that looked over her small town, and the cars coming up the road in the distance were at such an angle that they seemed at a certain curve to lift themselves into the air. Not seemed to; in fact they lifted themselves into the air. They were cars, flying, each one in its turn at the launch point, and she held her breath. For maybe half a minute this was possible and she was in awe, and then the trick of geometry revealed itself.

You texted her today that you miss her, that in four weeks you have lost twenty pounds. This tiny tiny blackbird is drunk or diseased, beats itself into the window, air-stumbles over to the fence, never touches down on grass or pavement, is frantic for something that has nothing to do with a landing point.  When it flies around a corner and out of sight she realizes that she has stopped breathing, and conscious of this now, she decides to see how long she can go.  She doesn’t make it very far.  Just until the elevator stops at the third floor and she slides open its heavy doors, and comes into her office, sits down at her desk, puts her coffee, cold now, into the trash and finishes writing down everything she knows and doesn’t know regarding impossible things that can fly.

  • http://wordsmoker.com/help/members-3/bjonston/ BJonston

    Wow. That was quite nice.

  • http://wordsmoker.com/help/members-3/chillbearlatrigue/ Chillbear Latrigue

    I really liked the image of the cars flying up to the theater on the hill. It was very vivid and yet described with few words.

    As for the black birds. Well, let’s just say that when turkeys meet their untimely demise, the result is delicious.

  • http://wordsmoker.com/help/members-3/geodejane/ GeodeJane

    Fuldis Closure: I just revisited your previous contributions. You are outstanding.

  • http://wordsmoker.com/help/members-3/nodebutante/ NoDebutante

    This is beautifully written.

  • http://wordsmoker.com/help/members-3/mama-penguino-2-2-2/ Mama Penguino

    @ Chillbear Latrigue: Damn it, not true. Do I have to go into my horrible turkey into my windshield rant?

    Fuldis, you are a delight to read. I’m with Chillbear – the cars on the hill thing was genius.

  • http://wordsmoker.com/help/members-3/gerbilsinlove/ gerbilsinlove

    @ Chillbear Latrigue:
    Due to the ginormous size of turkeys, thousands of them falling from the sky may produce more human carcasses than is seemly.

  • http://wordsmoker.com/help/members-3/irishbreakfast/ irishbreakfast

    Lovely. I’m now diving into the archives and reading the rest of your work.

  • http://wordsmoker.com/help/members-3/fuldis-closure-2-2/ fuldis closure

    Thanks, you guys! A little schmultzy, I’d say, but maybe sometimes you just need to get your schmultz out there. Would have been less so with turkeys, I see that now.

  • http://wordsmoker.com/help/members-3/fictionsinmotion/ Vaquero

    I liked this! A little schmultzy? But you cut into the emotion with concrete images and actions so it doesn’t become too sentimental. Not that sentimental is bad, it’s just that sentiment is often not authentic or feels false because it is just trying to make people feel things with words rather that just feel for themselves by what is happening.