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February 11, 2009 in The Tarantula Club

So I still, for whatever reason, find myself daydreaming about Fiscal Crisis New York.  I know, right? Weird. Maybe I keep hearing a song about Fiscal Crisis New York at the Rite-Aid?  So it’s all stuck in my head and shit?

Maybe it’s because yesterday evening I was on the 6 train, it was a fucking sardine can, a regular frottage festival, and it was held at the 28th Street station for twenty minutes.  And they didn’t open the doors.  And we’re all, “God damn it!”  

Then a couple of cops came through the car, asking all us jam packed folks to move to the sides. Those cops?  They had their guns drawn.  I ain’t making this up.  They had their guns in hand.

And I was all, “Yay!  This is so Fiscal Crisis New York!”  It was awesome.  Screw you, total absence of three card monte guys!  Up yours, Disneyfication of Times Square!  (Although they did put a Red Lobster in over there for the seafood lover in me, for which I am truly thankful.)

Anyway, it brings to mind an exceptional piece of Fiscal Crisis New York entertainment, The Taking of Pelham One Two Three (1974).  Look, if you ain’t seen this thing, put it in your fucking queue and smoke it.  There’s a god damned remake coming out this summer.  The god damned remake stars Denzel Washington and John Travolta.  The god damned remake is completely unnecessary, because they made it right the first time.  Do not permit the god damned remake to be your first experience with The Taking of Pelham One Two Three.

Because, seen correctly, instead of Denzel Washington, you get Walter Matthau.  And instead of John Travolta, you get Robert Shaw.  No contest.  Not a day goes by that I don’t wish Walter Matthau was still alive.  Why don’t they mandate a chip in television sets that makes Matthau happen all the time? Matthau!  Matthau!  Matthau!  Three times Matthau!

Matthau is Lieutenant Garber of the New York City Subway Transit Police, worn out, acerbic, just getting through the day.  You know, all Matthau about everything.  It’s starting out pretty normal at command center there, with the all-in-a-day’s-work assortment of stabbings and shootings and whatnot.  Then heavily armed men using code names like “Mr. Blue” and “Mr. Green” (yeah, this is from whence that came) smoothly hijack a subway car full of Fiscal Crisis New York stereotypes (including Pimpin’ Dude, Elderly Jew, and Hysterical Hispanic Woman), then cut the power to the entire system.

Their demand is one million dollars (ha, I know) in an hour or they start shooting hostages. Most of the movie is anchored by Matthau on a dispatcher’s microphone with boss hijacker Blue (Shaw) while municipal chaos swirls aboveground–regular cops itching to commando their way in, the ineffectual and influenza-stricken mayor bickering with advisors about the money, freaks in the street all underfoot–and the hostages interacting with their captors, including sweaty Green (Martin Balsam) and jittery Grey (Hector Elizondo).  

Everyone wonders just how these guys think they’re gonna make an escape, boxed in as they are, and that’s part of the fun.  There’s also a great deal of sly humor.  When urged to put in a public appearance at the scene, the mayor whines, “Then what’ll happen?  What always happens–I’ll get booed!”  Later, as the cops stand ready on the street, the crowd erupts into a chorus of jeers. The sergeant just looks up and says, “Ahh, jeez–the mayor’s here!”  It’s the kind of stuff Bill Murray tried to pull off with the somewhat diverting Quick Change, except here it works throughout.

And for everyone who needs the force-fed HIGH IMPACT VELOCITY of today’s BEST ACTION THRILLER movies that make you want to WET YOUR PANTS, don’t worry, the subway car will hurtle uncontrollably down the tracks for awhile.  For the rest of us, there’s NON-STOP WALTER MATTHAU, always ROLLING HIS EYES and being VERY GRUFF AND EXASPERATED.

No flies on Matthau.  Also, there’s a kick ass tuba driven soundtrack by David Shire.  Hipster marching bands take note:  If you aren’t performing “End Title from The Taking of Pelham One Two Three” you suck out loud.

Where was I?  Oh, right, tarantulas.  Right.  I was talking about tarantulas.  Well, as everybody knows, kittens are the tarantulas of the mammalian world, so here you go, do enjoy the sheer tarantula goodness of the following…

  • http://wordsmoker.com/help/members-3/ninahagen/ Nina Hagen

    Ha! I and hubby both worked with Cynthia Belgrave!

    Can I still do a Blingee?

  • http://wordsmoker.com/help/members-3/curly-q-tips-2/ Curly Q Tips

    Was it a wet or dry frottage fest?

  • http://wordsmoker.com/help/members-3/renesance/ Rene Sance

    Any post that expends this much loving attention on Walter Matthau and The Taking of Pelham One Two Three rules. Not a day goes by when I don’t miss Walter Matthau. Well, today I didn’t think of him at all until I read this, and in all honesty I may not have thought much about him yesterday either, but you get the general idea.

  • http://wordsmoker.com/help/members-3/poisonville/ poisonville

    I have the DVD of this movie. And I have the soundtrack. Anybody needs to get hooked up fast, talk to me.

  • http://wordsmoker.com/help/members-3/sistermarymartha/ SisterMaryMartha

    I don’t think I’ve seen this- but I adore him. That still reminds me of Charade.

  • http://wordsmoker.com/help/members-3/viruswithshoes/ VirusWithShoes

    @Rene Sance: Agree whole-heartedly. One of the best movies ever made. Don’t forget it contains a serious slice of Martin Balsam too, and if you’re watching it for the first time, keeps you on the edge of your seat until the very last fucking line. If you’ve seen it before, it still makes you laugh. Every time.

    I must admit I’ve seen it about 10 times down the years. My mother got me into it when I was a kid, maybe about 8 or 9 years old. When I see it listed in the TV guide, I always make time to watch it. Matthau and Shaw are at their watchable bests in it – Matthau stealing every scene, while Shaw keeps it boiling underneath. There’s also a shit-load of New York satire in it – Mayor jokes, that guy from 90% of Woody Allen movies. Oh car chases. Gun-play. Cagney’s dad from “Cagey and Lacey”. Trains! Tunnels! New York drawls!

    Yeah. I want to see it right now, Wency you genius. Good pick.

    I’d bet a bank on the remake sucking the devil’s ass. Remakingitis is doing my fucking head in.

  • http://wordsmoker.com/help/members-3/viruswithshoes/ VirusWithShoes

    That video is hilarious too. Video lolcats!

    Little girl voices reading out slightly age-inappropriate sentences are brilliant!

  • http://wordsmoker.com/help/members-3/bigleggedwoman/ BigLeggedWoman

    Senor Wences, you fucking hobo! This is another slice of wonderful. And now I must go out and get The Odd Couple, too!

  • http://wordsmoker.com/help/members-3/sarahheartburn/ SarahHeartburn

    Sr. W., every day I love you more. This is probably one of the best movies about New York ever made (BTW Woody Allen? Step in front of a bus).

    That look on his face in the last scene.

    May I also recommend The World of Henry Orient? Though the book is better….

  • BookishLookish

    My favorite Walter Matthau movie? Hard to call, but “Guide for the Married Man” ranks up there pretty high.

  • http://wordsmoker.com/help/members-3/anonymous/ Because Sexus, Plexus and Nexus

    I haven’t seen Aaron Altman around for a while, but if he comes by here I want to direct his attention to the truthful, elegant and skillfully distilled “tubas rule guitars drool” tag.

  • http://wordsmoker.com/help/members-3/unfun/ Unfun

    Great post but what the hell does IHOP have to do with it? Nice taggery.

  • http://wordsmoker.com/help/members-3/ninahagen/ Nina Hagen
  • http://wordsmoker.com/help/members-3/senorwences/ Senor Wences

    iHOP and Red Lobster are of a piece. They are both Matthaulicious.

  • http://wordsmoker.com/help/members-3/ninahagen/ Nina Hagen

    Fried clams and a Manhattan at the HoJo’s in Times Square is also Matthaulicious.

  • http://wordsmoker.com/help/members-3/senorwences/ Senor Wences

    Ah, but the HoJo’s is no more…

  • http://wordsmoker.com/help/members-3/ninahagen/ Nina Hagen

    Thank God – That meal would kill you.

  • http://wordsmoker.com/help/members-3/anonymous/ Because Sexus, Plexus and Nexus

    @Nina Hagen: Is it possible to think of each Blingee as an experimental short film, maybe some kind of Kenneth Angerlet? If so, these should go on your resume.

  • http://wordsmoker.com/help/members-3/ninahagen/ Nina Hagen

    BC: I bet could get a grant for that! I mean – who give a crap about Muslims? I’m going for Blingee!

  • http://wordsmoker.com/help/members-3/fictionsinmotion/ Vaquero

    I wish one million dollars was what it used to be. God, the good old days. And Blingee grants! That would mean the world was coming into a fantastic new world of true greatness.