The Grace Machine
Published: February 27, 2009

There is no hope in this black-bottomed boat.
The sea skids are out in number tonight. Twitching apparitions wrenching steel from stone, girth from man-labor, and child from sink-or-swim. Tummy troubles abound in this western satellite nation. Little tremors confuse with liquid protein, oozing from every pore.
Hello browser-cursers!
1. You know that really cool, hip, hilarious and true thing you read on the Internet that one time, that made you howl and rotfl and forward it to thirty friends? The one that made you tear up a little bit at its evocativeness, and nod at its wisdom? You know, the most well-scripted lolcat evah? Yeah … that was mine.
I never thought it would happen to me.
1. When I was eight years old, we lived in a bus for nine months and traveled from North Carolina to Texas staying in mostly Woolco and K-mart parking lots and telling people about Jesus and that we were missionaries going to the Philippines. I still don’t know how my parents expected to drive that bus across the Pacific Ocean had it not been for the five year detour in Texas. But my parents didn’t plan far enough ahead to know where dinner was coming from, yet alone what was meant to happen when we reached California. My only real regret was never meeting David Cassidy seeing as I had the perfect intro.
If you’re anything like me (and I know you are) you often think “I wonder how Al Pacino would play a voracious power bottom?” and “Why didn’t Bruno Kirby do more gay S&M?” Well your prayers are answered today my lil’ filthy monkey with a hidden gem that I like to call Cruising. Starring Big Al as the cop, Krazy Karen Allen as the cop’s girlie and a pre-Arby’s Paul Sorvino, Cruising takes you through the early ’80’s pre-Aids gay S&M subculture in a serial killer story that has multiple narrative viewpoints and no clear cut character motivations.
In 1976, Warhol was beset by personal and professional turmoil, feeling snubbed by the “real” art world and unlucky in love. Studio 54 was a year away, but his coke-fueled acolytes and investors were busy assembling a cheap exploitation flick on which to slap his name: Andy Warhol’s Bad. It’s intriguing to think of Lucy’s TV best friend starring in a movie where a crying baby is thrown out a high-floor Manhattan window, and it almost came to be. But Vivian Vance schooled them: Sick thrills don’t pay my bills.
No one knows more about not finishing James Joyce’s Ulysses than I do. You don’t want to throw down with me on this. I can extemporize at length on the topic, and am available to do so at your next book or Rotary club meeting for a modest fee. Routinely listed at the top of lists of Greatest Books Since the Last Ice Age, Ulysses makes strenuous demands on the reader with its use of lengthy internal monologues, multiple dialects, convoluted parodies and pastiches, not to mention neologisms and puns rooted in several languages. To my knowledge, I’ve never met anyone who’s read it cover to cover.
I am not the commonplace inquisitor you thought was coming.
I’ve heard many a saying said down the years as time went on. Some of them made sense, like “Never Toast Your Hand” or “Don’t Forget To Not Walk On Your Tongue” – self explanatory, really. Some others I’ve heard recently just come off as nonsensical – “Never Curse At Tulips“, “Always Punch Brian In The Tits“, “Feel Your Bread Before Talking To It“, and “Terror Baby Bingo“. That last one doesn’t even scratch the surface of atomic level nano-sense, but it hasn’t stopped me looking at the contents of push-chairs differently.

8:30 a.m.: I’d always thought it would be my dream to wake up with a woman’s fingers already inside me, the smooth back of her hand rocking gently against my clit as her lips brushed against my neck. I’d always thought it would be bliss to roll over out of my sleep and into such warmth, one form of dreaming bleeding into this other as our bodies ran like adjacent watercolor washes, soaking the sheets. But to tell the truth, when I found myself suddenly in the midst of this fantasy made real, an unexpected resentment bubbled up as I rolled into Anne’s embrace, an initial resistance that I had to fight down like a stifled yawn as I nuzzled her to signal my return to consciousness. Good Morning, You. I can’t remember now which one of us said that. We ended up shuddering a good bit as we rolled over each other in our deliciously impossible attempts to enfold and be enfolded simultaneously, but neither of us wanted to exert the effort necessary to come. I finally just picked an arbitrary point at which to declare the tumble over, covering Anne’s mouth with mine, my lips brushing hers as I murmured, Girl, I Gotta Get Up.
Hello, my Lovies. This is to remind you that we will be discussing Lush Life by Richard Price on Tuesday, March 3 at 9pm EST in the 
